Wordsworth defends the unusual style and subjects of the poems some of which are actually composed by Samuel Taylor Coleridge as experiments to see how far popular poetry could be used to convey profound feeling.
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Preface to Lyrical Ballads by William Wordsworth begins with a discussion of the collection of poems, written mostly by Wordsworth with contributions by S. Originally published ininWordsworth added an earlier version of the Preface, which he extended two years later. Because he felt his poems were of a new theme and style, Wordsworth felt they needed an introduction.
Some scholars say that Coleridge wanted to write the preface, but never got around to it, so the work fell to Wordsworth instead.
Most importantly, Wordsworth considered each poem in the collection to be an experiment in language usage, or diction. What, then, is poetry? Wordsworth sets out to define this particular form of art. In the Preface to Lyrical Ballads, Wordsworth outlines his definition of the nature and function of poetry—as well as identifying the qualities that make someone a true poet.
Although poetry must emerge from spontaneity, it must not be written spontaneously. Rather, Wordsworth asserts that a poem should be the result of long and deep reflection. He also cautions against being too concerned with the poetic rules of Classicism. The first is observation. A person, object, or situation must stimulate powerful emotions in the Romantic poet, and those observations must be noted.
|World Literature||Well Wordsworth and Coleridge certainly did. Their writing existed in the intellectual aftermath of the French revolution; thus, they tried to radicalise it and revolutionise it.|
|Preface to the Lyrical Ballads - Wikipedia||The topics covered include the following:|
Recollection follows, which is the stage when the poet contemplates those observations. For this, tranquility is a must.
Memories may surface that are days old or older, and the poet should contemplate those memories to explore how the emotions they provoke relate to past experiences. The third stage is filtering, when the poet clears the mind of all non-essential elements.
The goal is to express emotions in a way that the reader will understand, and can therefore contemplate.
He begins by discussing how the neo-classicists defined imagination.
They said that the mind was passive, and recorded sensations.In his 'Preface' to the edition of the Lyrical Ballads, Wordsworth presented his poetic manifesto, indicating the extent to which he saw his poetry, and that of Coleridge, as breaking away from the 'artificiality', 'triviality' or over-elaborate and contrived quality of eighteenth-century poetry.
The metre of the old ballads is very artless; yet they contain many passages which would illustrate this opinion; and, I hope, if the following Poems be attentively perused, similar instances will be found in them.
Preface to Lyrical Ballads William Wordsworth () THE FIRST volume of these Poems has already been submitted to general perusal. It was published, as an experiment, which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a.
Preface to Lyrical Ballads by William Wordsworth begins with a discussion of the collection of poems, written mostly by Wordsworth with contributions by S.T. Coleridge.
Originally published in , in , Wordsworth added an earlier version of the Preface, which he extended two years later. Preface to Lyrical Ballads coexist in a state of greater simplicity, and, consequently, may be more coesistono in uno stato di maggiore semplicità, e, conseguentemente, possono essere accurately contemplated, and more forcibly communicated; because the.
The second edition of Lyrical Ballads appeared in two volumes in in Wordsworth's name alone. In the anonymous edition, there had been a mere "advertisement" to orient the reader to the poems; in , the famous "Preface" took its place.